Jimmy Santiago Baca




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Poetry's Effect on Jimmy Baca

Since Jimmy Santiago Baca's first book Immigrants in Our Own Land published in 1979, the same year he was released from prison, Jimmy has made a prestiges life as a poet and screenwriter.

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Critics reveiw:
Although Jimmy's earleir work was some times considerd Unrefined and without theme, critics quickly considered him as a fresh new chicano voice from the southwest. Marion Taylor in her review of Immigrants in our own land say's "What these poems discover is a center of freedom and humaneness beyond the bleak realities; they are in their way a hymn and a celebration of the human spirit in extreme situations."
As Jimmy Baca re-adjusted to life as a free man his work to re-adjusted and began to steer away from his prison experiences into more poetry about life.
Scott Slovic says in his review of Black Meso Poems "To read Jimmy Santiago Baca's poetry is to tramp across the uneven terrain of human experience, sometimes lulled by the everydayness of work or relationships, and then dazzled by a flood of emotion or vibrant observation."
Janet St. john state in her review of Spring Poem Along the Rio Grande " The Rio Grande, as both setting and symbol of freedom and life, meanders through the poems, evoking a natural progression of time and the natural ebb and flow of feelings such as love, hope, and connection."

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Awards:  2006- Cornelius P. Turner GED Award 
 2001-The International Prize for
A Place to Stand
 2001-Barnes and Noble Discover Author for A Place to Stand
 1997- Humanitarian Award, Albuquerque
 1996, 97- Champion Poetry Bout, Taos, NM
 1995-The Endowed Hulbert Chair, Colorado College
 1993- Southwest Book Award
 1990-The International Hispanic Heritage Award
 1990- Berkeley Regents Chair, University of California - Berkeley
 1989-The Wallace Stevens Endowed Chair, Yale
 1989-The American Book Award for Poetry
 1988-The Pushcart Prize
 1987-The Vogelstein Foundation Award
 1986-National Endowments Arts Literary Fellowship

 

Jimmy Santiago Baca's Environment:

Jimmy Baca grew up in the southwest during the 1950s and 1960s. Racial discrimination was very prevalent at this time and is apparent in his work. It was not until the late 1960s that the Chicano civil rights movement really took effect and even still prejudice is very apparent. Many minorities especially those of Hispanic descent were vastly underprivileged in economic, legal and social situations. Jimmy Santiago Baca claim’s he was falsely charged for the possession of controlled substances that resulted in his prison sentence. It is very obvious that his environment of racial prejudice is directly correlated with his work; you can see this correlation in many of his poems, often expressing disdain and resentment to his oppressors (the white authority).  

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The Common Themes in Jimmy Santiago Baca's work:

Much of Jimmy Baca’s early work expresses his disdain for authority and the injustices they had placed on him. This theme is commonly called prison Poetry, with such poems as: The Day Brushes the Curtain Aside, Who Understands Me But Me and Oppression. These poems express the struggle he endured while imprisoned (spending much of his sentence in solitary confinement) often using words like guard, wall, pain and cage as dark imagery for poetry. Many of the poems from his first book Immigrants in our own land follow the theme of Prison poetry. While his later work expresses a sense of over-coming, accomplishment and Chicano pride, often are using natural scenery to blend in with a message. This creates a feeling of symbiotic relationship between Jimmy Baca’s life and his southwestern surroundings.  These can be seen in his newer books Heeling Earthquakes and Black Mesa Poems with such poems as choices and green Chile.

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